Dire Straits Money For Nothing Release Date – Released in 1988, Nothing for the Money is a compilation of the best songs from Dire Straits’ first 5 studio albums. After the first remastering in 1996, it comes back today with a new remastering on string and vinyl.
Below you will find a description of the various versions, as well as the measurements of each version in the following chapters.
Dire Straits Money For Nothing Release Date
First we will analyze each version in detail (technical and qualitative analysis), then we will compare successive versions with their dynamics and determine the final score, and you will be able to hear some samples.
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Streaming versions may evolve over time, those presented here correspond to versions tested at the date of publication, or updating the magazine.
This version is dynamic without any compression effects. CD is slightly more dynamic, with more pronounced peaks.
The CD was remastered in 1996 (Ed3) dynamically compressed to have a higher sound level. The yellow area indicates that the sound volume level is maximum.
Compared to the 1996 CD (Ed3), the remastered version of the 2022 (Ed4) version is even more compressed, we see lower level differences, with more areas placed at maximum level (yellow area).
1988 CD to 2022 Qaboos edition for 3 digital editions with DR. These 3 versions are set at the same sound level -17.7 Lufs. You can observe that the lower the DR, the lower the signal height, with less and less sharpness.
Dynamics refers to the ability to produce a wide range of sounds from soft to loud. The goal is to compare the dynamics of the music and not the media (CD, digital files or vinyl).
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Digital versions are getting more and more compressed with remastering, we’re going from DR15 in 1988 to DR8 in 2022. The loudness war isn’t over yet, we would have hoped that a band like Dire Straits wouldn’t be affected! The vinyl is from the 2022 remastered version, but it remains less dynamic than the 1988 CD.
As a reminder, the scale goes from 0 to plus 20, but animations are considered good above 12, between 10 and 11 as excellent, and below 10 as poor.
Spectrum allows you to check the tonal balance of music (the balance between high, medium and low sounds) and detect processes that can be performed during the recording, mixing, mastering or production stage. It is also possible to detect frequency interference problems.
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The curves between the 1988 CD version (Ed1) and the 1996 remastered version (Ed2) are similar with some minor differences (green and yellow arrows).
The curves between the 1988 CD version (Ed1) and the remastered version of 2022 (Ed4) are similar with some minor differences in the bass (green area) and treble (yellow arrow). The remastered version of Qaboos 2022 (Ed4) has a frequency response curve that gradually flattens above 20 kHz (purple arrow) due to the 192 kHz sampling rate.
A spectrogram is another representation of frequency versus time of a trace. For each channel (right and left), the horizontal axis represents time, and the vertical axis represents frequency. Amplitude is represented by the intensity (brightness) of the color of each point in the image.
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The vinyl spectrogram (Ed1) continues above the visible limit (due to the notch) at 17 kHz (yellow arrow). The white arrow shows the music and distortion due to vinyl playback above 17 kHz.
The spectrograms of the CD 1988 (Ed2) and CD 1996 (Ed3) versions are similar, with a 44.1kHz sample rate and a 22kHz (yellow arrow) threshold due to the lack of signal above 22 kHz.
The spectrogram of the 2022 (Ed4) remastered version of Qoboos is greater than 22 kHz (yellow arrow) due to the 192 kHz sampling frequency. The white arrow shows frequencies up to 96 kHz. Note that the maximum frequency of the graph below is 96 kHz, unlike the other graphs which were limited to 44.2 kHz.
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The sound is animated but below the CD version. Big changes above 10 kHz with a drop down to 17 kHz have a natural effect on the sound of the guitar. Otherwise, listening brings out a warmer sound than a CD. However, the quality of the press is not perfect and some clicks are left and cleaning is necessary to reduce them.
The 1988 CD is the most dynamic and accurate of the versions tested. We can find all the goodness in music. The 192kHz sampling rate version of Qobuz should do well, but the strong compression kills interest in rendering the 192kHz version.
Remastered in 1996 the CD is compressed, too bad for the SBM technology that should bring better quality and precision.
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The presence of this album in the hi-res version of Qaboos in 24 bits 192 kHz would make us think of a reference version with great sharpness in the presentation of the guitar, but unfortunately, the compression with DR8 Breaks all dynamics. Guitar instruments and vocals. This is really a shame!
Among the 4 versions tested, the 1988 CD version is the closest to a dynamic and accurate rendering of Dire Street’s music. The remastered vinyl version brings a warm sound, but a little less precision and with a press that stays just right. By the mid-’80s, Dire Straits was already a huge success, but the single “Money for Nothing” catapulted the band to the top. Rock star level. Credit for the song’s popularity can be partially attributed to another classic rock group, ZZ Top.
Dire Straits’ editor contacted MTV, asking what their customers needed to do to get more airtime. The answer was simple: write a hit song and hire a top editor to direct the video.
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Network advice is brewing in frontman Mark Knopfler’s brain. Hits were no problem for Dire Street. “Sultan of Swing”, “Romeo and Juliet” and “Private Investigation” all reached the top 10 in their native UK, although the response in the US was somewhat milder. However, Dire Street was slow to accept MTV.
. “Dire Streets had done it before, but they showed the band playing, and Dire Street wasn’t as interesting.”
Determined to write an MTV-friendly hit, Knopfler tried to replicate the sound of ZZ Top, one of the network’s new rock staples.
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They became an MTV staple thanks to memorable music videos for “Gimme All Your Lovin'”, “Sharp Dressed Man” and “Legs”, each with a distinctive guitar part. Knopfler tried to imitate the sound for his new track.
, admitting that the band was “going for a sort of ZZ classic sound”. However, the guitar part of “Nothing for the Money” suddenly ended its life.
“One mic was pointed at the floor, one was not at the speaker, the other was somewhere else,” Dorfsman recalled. “It wasn’t the way I wanted to set things up. It was probably left the night before. When I had things ready for the next day and hadn’t really finished setting up. Anyway, let it be. “On the microphone stage or off stage, what we heard was what ended up on the record. There was no additional treatment on that tone during the mix.”
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Dorfsman liked the guitar sound so much, he suggested that Knopfler take on more solos. “I wasn’t into that idea,” Dorfsman explained. “I remember him asking, ‘You mean like a rock man?’ “I think he’s one of the greatest solo artists of all time, so I really wanted to hear more. “ZZ Top, ZZ Top,” he said, “and in my mind I imagined that we didn’t get the part that I was looking for in the main track.”
Consequently, Dire Street went straight to the source: Billy Gibbons revealed after Knopfler asked him for advice on replicating ZZ Top’s guitar sound. “He didn’t do half bad, considering I didn’t tell him!” Gibbons joked in a 1986 interview
For the songs, Knopfler decided to assume the look of a blue-collar worker. These words were inspired by a current employee of the facility who made an off-color remark while watching a TV wall playing MTV.
Newly Remastered Edition Of Dire Straits Money For Nothing Due In June
“I wrote the song when I was actually in the store,” Knopfler told Bill Flanagan in the book.
. “I borrowed some paper and started writing the song in the store. I wanted to use a lot of language that real people would actually use when they were listening to it, because it was so real. It went well with the song; She was. Very muscular.”
Which video the store employee saw has never been revealed, but Nikki Sachs believes it was her gang. He told Blender magazine in 2007 that “Money for Nothing by Dire Straits” was by Motley Crue.
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. They were in a store that sold TVs, and there was a row of TVs playing all of Motley Crue – and that’s where it came from.”
Knopfler decided to drive home the MTV-ness of his song by incorporating it
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